The calibre of musicians Geoff works with tells you everything - American visitors like Scott Hamilton and Greg Abate, British heavyweights Derek Nash and Digby Fairweather, and he even hit the road with Martha and the Vandellas.
Expect top-drawer trombone tonight.

Over sixteen albums, she's developed a sound that's unmistakably hers. She's shared stages with the cream of British and international jazz talent - Ian Shaw, John Etheridge, and Claire Martin among them.
The Guardian called her "a world-class act", but we think she's simply one of the most compelling performers you'll catch at any jazz club in the country.
Don't miss this one.

Allison's approach is understated but deeply musical. She favours the classic songbook and works beautifully in a quartet setting, particularly with guitar in the rhythm section. Over the years Allison has recorded several lovely albums exploring standards and bop repertoire. Expect lyrical, carefully crafted playing - the real deal.

We're delighted to welcome back Nathaniel Steele - another firm favourite who's become a regular at Googlies.
Nat plays vibes in the Milt Jackson tradition - two mallets, melodic lines, no fuss. Clark Tracey called him "one of the best vibes players this country has ever produced", which tells you plenty.

Andy Panayi commands every saxophone and flute he picks up. His virtuosity spans jazz and classical worlds with equal authority. The list of legends he's shared a stage with reads […]

Two childhood friends reunite on clarinet for an evening of pure swing sophistication. Julian's British Jazz Awards and Pete's globe-trotting career combine for a masterclass in the music they both love.

Nigel Price has earned his reputation through sheer graft and musical brilliance, multiple awards tell the story. His guitar work marries bebop fluency with deep blues feeling and harmonic sophistication.

Dave's tenor and soprano sounds are instantly recognisable, drawing from a palette that spans Charlie Parker through to Michael Brecker. A masterclass in versatility.

Catherine's voice does remarkable things. It can hold a room in silence or set it alight, moving from sultry to joyous inside a single standard. Her influences run deep, from the cool intelligence of Anita O'Day to the emotional directness of Peggy Lee, but what you hear on the night is unmistakably her own. She scats with confidence, phrases with precision, and never loses the emotional thread. This is jazz singing at its most alive: witty, warm, and completely in the moment.

We have arranged an interesting programme, which includes some old favourites and some newer pieces, with several songs from Hilary. Do come along, if you possibly can and help us make it
a Terrific Thursday ahead of Good Friday.